Author Biography
Katya Libkind (born 1991) is a Ukrainian artist. She was born in Vladivostok. He works in the techniques of graphics, painting, sculpture, installation, film, landscape art. Graduated from the National Academy of Fine Arts and Architecture (2016). Scholarship recipient of the Polish Ministry of Culture Gaude Polonia in Wroclaw (2020). Together with the Uho agency, she worked as a scenographer (2016-2019), including for the "Voice Architecture" series of concerts. Member and co-founder of the Montage group. Co-founder and participant of the ateliernormalno workshop (2018), where she co-manages all exhibitions, residencies and projects. Lives and works in Kyiv.
21
Lot   22
23
Katya Libkind (1991)
"The Holy Family and the ceramic scabbard of the samurai sword", 2023
paper, marker
29 x 21 cm
In her works, Kateryna Libkind combines several images, which often become close to dreams or children's fantasies, delusions. At the same time, they are exercises, sketches that may not go beyond the category of an attempt. The author herself rarely talks about her works. The exception is works in which the text appears in the image itself.
Estimate:
100 - 0$

Author Biography
Katya Libkind (born 1991) is a Ukrainian artist. She was born in Vladivostok. He works in the techniques of graphics, painting, sculpture, installation, film, landscape art. Graduated from the National Academy of Fine Arts and Architecture (2016). Scholarship recipient of the Polish Ministry of Culture Gaude Polonia in Wroclaw (2020). Together with the Uho agency, she worked as a scenographer (2016-2019), including for the "Voice Architecture" series of concerts. Member and co-founder of the Montage group. Co-founder and participant of the ateliernormalno workshop (2018), where she co-manages all exhibitions, residencies and projects. Lives and works in Kyiv.
21
Lot  22
23
Katya Libkind (1991)

"The Holy Family and the ceramic scabbard of the samurai sword", 2023

paper, marker
29 x 21 cm
In her works, Kateryna Libkind combines several images, which often become close to dreams or children's fantasies, delusions. At the same time, they are exercises, sketches that may not go beyond the category of an attempt. The author herself rarely talks about her works. The exception is works in which the text appears in the image itself.
Estimate:
100 - 0$

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